Temps interférentiel dans la photographie, livre imprimé 13,5 x 21,5 cm, L’Harmattan, 2020
Lueur d’instant, tirage papier digigraphie, 2 x (42 x 59,4) cm, 2019
Pensée telle quelle, tirage papier digigraphie, 6 x (42 x 59,4) cm, 2018
Là maintenant, 3 photographies, 42 x 59,4 cm, tirage papier digigraphie, 2018
As energy, 2 photographies, 42 x 59,4 cm, tirage papier digigraphie, 2017
Sans titre, 2 photographies, 42 x 59,4 cm, tirage papier digigraphie, 2016
Photographs taken in the projects “Dis / APPEAR”, “Light gravity”, “Being There”, “White falls”, “Listen with your eyes, see with your ears”
DIS-APPEAR
Uncertain signs – traces or erasures – appear or disappear in doubt between being and not being. Obliteration, fracturing, splitting up, recovery, any syntax is abolished in the fragmentation itself. No paradigm can come any more: only breaking effects and noise. Is it a shipwreck? Or melting ice caps? Everything becomes pieces of drifting continents and between them new paths rise, water effects, isthmuses and passages. This is a likely end of writings, fiction, poems, and even alphabets, a probable end of language in order to find the abyssal pulverulence of galaxies and atoms again.
(X 4) Untitled, from the project “Dis / APPEAR”, inkjet printing, 80 x120 cm, 2012
Being
There is a time, defined by the immediate continual being inherent in any presence, and includes objects, meetings, planning beings who by their state of being, their unique presence in the world. There would be an inverse context or situation, but when the stealth thing, be a burst like a bubble on the surface of the world, in their strangeness, their presence sometimes moved, entering discrepancy with sets determined. Unnecessarily, without planning, they offer an incongruous face the viewer, yet reassuring in the insistence of their presence to ourselves.
(2 x) Sans titre, du projets “Être là”, impression jet d’encre, 80 x120 cm, 2012
Light Gravity
This concept seeks to establish a new body and phenomena density starting from other parameters removed from the traditional laws of gravity. Giving priority to non-solid materials, the sparklings, reflections, shining on a multitude of beads, the pictorial surface or the objects play with the beat, the liftoff, or the free fall, the floating, the weightless walking …. These phenomena have nothing paranormal, but are explorations to the limits of stability boundaries that would be compared to artifacts, while the new configuration appears as an experimental matrix of new travels of immeasurable freedom.
(2 x) Untitled, from the project “Light gravity”, inkjet print, 50 x 65 cm, 2012
(X 4) Untitled, from the project “Light gravity”, inkjet print, 80 x 120 cm, 2012
Untitled, from the project “Dis / APPEAR”, inkjet print, 120 x 80 cm, 2012
(2 x) Untitled, from the project “Being there”, inkjet print 120 x 80 cm, 2012
Untitled, from the project “Dis / APPEAR”, inkjet print, 120 x 80 cm, 2012
Listen with your eyes – ears see
The colors should be to listen, to feel, because they are buried in the mass intensities of things. A tone is an echo, a rhythm in the coming world. The tonality coefficient is independent of the situation, context, aesthetics. Halo and will share their likeness; the transverse travel of affect is embodied by its blurred giving it a deeper and yet delicious sense, in a philosophy of imprecise or lure. At the same time, do not go to its essence? For increased intensity, sometimes disappear when the flower is heard as a dull thud, from elsewhere, which ensures the transmigration of souls, the internal dialogue of things.
(X 4) Untitled, from the project “Listen with your eyes, see the ears”, inkjet print, 80 x 120 cm, 2012
(5 x) Untitled, from the project “Dis / APPEAR”, inkjet print, 50 x 65 cm, 2012
(X 10) Untitled, from the project “Dis / APPEAR”, inkjet printing, 80 x120 cm, 2012
White falls
It is not flowing rather freezing, only to slow down the passage of time. Space covered with ice or snow to protects its forms. But this in turn will alter. Sometimes revealing, sometimes mask portrays the white side of the view, the erection of the substrate; But offered another deliciously precarious. Could you imagine a free sonnante abundant of ordinary life, landscaped, desires, despite the lack of movement in extreme cold? Maybe reality turns like a dream, in a second world, with a different perception, caulked with different body, but spectral regulated, but carefully articulated Pass, as carried by a superior drug.
(X 12) Untitled, from the project “White falls”, inkjet print, 80 x 120 cm, 2012